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Where is Ai Weiwei?

Prisoners in Chinese city targeted in 'red' push
Beijing (AFP) May 13, 2011 - Prisoners in the Chinese megacity of Chongqing could see their sentences cut if they take part in "red" cultural activities, as part of an ongoing drive to promote communist revolutionary ideals.

Authorities in Chongqing have ordered that re-education of prisoners be carried out with the help of singing and reading activities based on "red" culture, the state Chongqing Daily said Friday.

"The situation where prisoners attend red cultural activities must become an important basis for encouragement, a reduced sentence or parole," Liu Guanglei, a top official at the municipal committee, was quoted as saying.

Liu pointed to the "educational" qualities of "red" culture -- songs to the glory of Communism or revolutionary poetry -- to help detainees become law-abiding people who would be "useful to society", the report said.

The initiative is the latest "red" move in Chongqing, a huge and fast-growing municipality of more than 30 million people run by party chief Bo Xilai, who has pledged to reinvigorate the city with the ideals of Mao Zedong.

City authorities have ordered state radio and television to promote the mass study of "red songs" that sing the praises of the ruling Communist Party.

The state-run Chongqing Satellite Television also set aside popular television shows in January in favour of programmes extolling communist ideals, in a bid to restore "fading red morals".

Bo's "red" push comes after Chongqing's image was sullied in 2009 by a police crackdown that exposed a thriving criminal underworld acting with impunity.

Communist fervour peaked during the 1960s and 70s with the turbulent Cultural Revolution but subsequently eased as China embraced economic reforms. It has recently made a comeback with people looking nostalgically to the past.

by Stefan Nicola
Berlin (UPI) May 13, 2011
There's still no sign of Chinese artist and regime critic Ai Weiwei, 39 days after his arrest by Chinese police, with the West unable to convince Beijing into releasing him.

Like kraken trying to reach beyond the water surface, the branches of the two gray-brown trees stretch toward the glass ceiling of the light-flooded room in the Neugerriemschneider gallery in Berlin's Mitte district.

Ai's "Tree 2011" sculpture, which combines traditional Chinese woodwork with modern artistic storytelling, was meant to be unveiled April 29 by the artist. Ai never made it to the opening, however. Outside the red-brick gallery building hangs a large banner with the words "Where is Ai Weiwei" printed on it in bold black letters.

On April 3, Ai was arrested at Beijing Airport while boarding a plane to Hong Kong. Shortly afterward, police raided his studio in Beijing, confiscating computers and detaining his wife, Lu Qing, as well as several of his aides.

While Lu and the aides have since been released, Ai, 53, has disappeared. Chinese authorities haven't revealed where he's being held. He hasn't had access to a lawyer or his family.

Ever since the pro-democracy revolutions in North Africa and the Middle East, the Chinese government has been "highly nervous," said Eberhard Sandschneider, a China expert with the German Council on Foreign Relations, a Berlin think tank.

"They've seen what a small spark of unrest did in Tunisia and they're eager to put out those sparks before they turn into a fire," he told United Press International in a telephone interview Friday.

Beijing has launched a massive crackdown, harassing, arresting and, according to some reports, torturing regime critics, among them writers, lawyers and artists. While Ai isn't the only one locked up, he's among the most prominent of Chinese cultural figures.

Famous for his help in designing the so-called Bird's Nest, the main stadium used in the 2008 Beijing Olympic Games, Ai has developed into the best-selling living Chinese artist. His latest large-scale exhibition was at the Tate Modern gallery in London, where his millions of tiny porcelain objects that look like sunflower seeds became an instant hit.

Besides creating works of art, Ai has been an outspoken critic of the Beijing regime. He drew attention to victims of the 2008 earthquake in China and has shown solidarity with detained colleagues such as Nobel Peace Prize-winning writer Liu Xiaobo. Via Twitter, where he has more than 83,000 followers, Ai often attacked the regime for its crackdown on human rights.

Immediately after his arrest, Western governments, including the United States, Britain, France and Germany, urged China to release Ai but to no avail. Beijing brushed aside Western criticism and claim Ai is being investigated for economic crimes.

The international culture scene has launched various campaigns to raise awareness of the case. The German Academy of Arts has appointed Ai as a member, writer Salman Rushdie has written open letters to the press and British Indian-born artist Anish Kapoor this week dedicated his biggest-ever sculpture, on display in Paris, to Ai.

One Facebook campaign has brought together artists from all over Europe who support Ai by holding up signs with the words "Where is Ai Weiwei?"

The campaign organized a sit-in in front of Chinese embassies across Europe and urges people to flood Chinese embassies with phone calls regarding the artist's fate.

One German writer has called on the United States to free Ai with a commando operation similar to the one that resulted in the death of Osama bin Laden.

Politically, however, efforts seem to have calmed down. Critics say Ai's case has dropped below the radar in Europe as the debt crisis continues and the military mission in Libya pushes on.

China's economic influence, critics add, often weighs heavier in diplomatic relations than her human rights abuses.

Ai is especially popular in Germany, a country that fosters strong economic ties with China. In March, Ai announced plans to open a second studio in Berlin, saying working in China became increasingly unbearable.

German Foreign Minister Guido Westerwelle has called for Ai's release and, in a sign of solidarity, last month visited the opening ceremony of his exhibition at the Neugerriemschneider gallery.

German Chancellor Angela Merkel's spokesman Steffen Seibert on Friday vowed that Germany hasn't forgotten Ai.

"We won't stop mentioning his case with our Chinese counterparts," Seibert told his regular news conference, adding that Ai's ongoing disappearance was "very regrettable and worrisome."

"It's obvious that a great injustice has been done," he said. "One doesn't even want to imagine how terrible this must be for his family."

Sandschneider said public Western pleas won't get Ai released.

The effect that Western pressure over China's human rights record has on the Chinese leadership "is absolutely zero," Sandschneider said. "You can only help Ai Weiwei by talking to Chinese diplomats behind the scenes."

But more likely, the artist will remain in a prison cell until he's put on a show trial and sentenced, Sandschneider added.

Ai reportedly knew what was coming. He has been placed under house arrest several times, with his every move recorded by Chinese security services, which installed cameras outside his studio.

In his typical way of dealing with the crackdown, Ai produced a marble sculpture of one of the cameras.

"What can they do to me?" The Guardian quotes from a November 2009 entry on Ai's blog. "Nothing more than to banish, kidnap or imprison me. Perhaps they could fabricate my disappearance into thin air but they don't have any creativity or imagination and they lack both joy and the ability to fly."

The regime might one day get to him, he wrote, but one thing it couldn't do -- "prevent the historical process by which society demands freedom and democracy."



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